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Retable

The 13th century Westminster Retable is England's oldest altarpiece. It was most probably designed for the High Altar of the Abbey.

The Westminster Retable is acknowledged to be one of the most important surviving examples of panel painting from 13th century England. The Retable measures 3 feet by 11 feet (97 x 333 cm) and is constructed of English and north European oak.

It was painted using linseed oil on a gesso ground – probably between 1270 and 1280. It originally stood on three legs behind the High Altar. The Panel includes an image of St Peter, the patron saint of Westminster Abbey, holding the key of Heaven, and with a Kufic pattern shown on his robe.

There are four small medallions which depict the Miracles of Christ - the raising of Jairus' daughter, the healing of the blind man, the feeding of the 5,000, and another totally defaced subject.

Image of Christ and his disciples at the feeding of the 5,000 — Feeding of the 5,000 detail, handing out loaves

The full length figures in the centre depict Christ holding a globe of the world, flanked by a smiling Virgin Mary holding a palm, and St John the Evangelist. The globe shows minute images of the sun and moon, a boat on water, trees, sheep and birds. The now empty single niche had a figure of St Paul. The decorative borders still retain some imitation enamels covered with glass. Only one of the cameo heads in the borders now remains.

The Westminster Retable

Retable globe in Christ's hand (49 MB) (HK) 300 Westminster Abbey copyright.jpg

Christ holding a globe of the world

History of the Retable

Although revered today – the Retable hasn't always been so well looked after. After the Benedictine Abbey was dissolved in 1540, it managed to survive both the Reformation and the English Civil War but in the 18th century the two right hand panels had most of their medieval paint removed and were covered in grey and white paint. In 1725 the antiquarian George Vertue discovered the Retable being used as the top of a cupboard housing the Abbey's collection of funeral effigies in the upper Islip Chapel. It was not until 1827 that Edward Blore, the Abbey Surveyor, re-discovered it and steps were taken to preserve it in a glass-fronted frame. The panel was kept in the Jerusalem Chamber within the Deanery until 1902 when it was put on display in the south ambulatory. It was later moved to the Abbey Museum in the Norman Undercroft, and later to the new Galleries exhibition.

It had never been extensively cleaned or repaired until a conservation and cleaning programme began in 1998 at the Hamilton Kerr Institute. It was then displayed at the National Gallery in May 2005 before being returned to the Abbey. The Conservation of the Westminster Retable was supported by the Heritage Lottery Fund and the Getty Foundation.