Richard was born at Bordeaux in France in 1367, the son
of Edward the "Black Prince" (eldest son of King Edward III) and
Joan, called the "Fair Maid of Kent". His father died in 1376 and
so Richard succeeded his grandfather as king, being crowned in
the Abbey on 16 July 1377 aged only 10. He married Anne daughter
of the Emperor Charles IV of Bohemia in January 1382 and she was
crowned two days later. A contemporary portrait of the King
wearing coronation robes seated in the Coronation Chair and
holding the orb and sceptre still hangs in the nave of the Abbey.
This wooden panel-painting is the earliest known portrait of an
English monarch, dating from the 1390s. The suggestion has been
made that the artist was court painter André Beauneveu. The vivid
colours show the king in a green tunic decorated with the letter
R, wearing a crimson robe lined with ermine, an ermine cape,
vermilion socks and gold shoes. It was restored and re-framed in
the 19th century.
Richard was devoted to the Abbey and to St Edward the
Confessor and he rebuilt the northern entrance and some bays of
the nave. He also partly rebuilt Westminster Hall, in the Palace
of Westminster. His wife Anne died in 1394 and he was so grief
stricken that he demolished Sheen Palace, where she had died.
Although a handsome, cultured man he was not a successful ruler
and he was deposed as king and imprisoned in 1399 by his cousin
Henry Bolingbroke (who became Henry IV), son of John of Gaunt,
Duke of Lancaster. He died in Pontefract Castle on or about 14
February 1400, most probably from starvation. However, rumours
spread that he was actually murdered so his body was brought for
public view to St Paul's in London and then was buried at a
friary in Langley, Hertfordshire. When Henry V came to the throne
he ordered the removal of the body to Westminster Abbey in 1413
to join Anne in the tomb Richard had erected for them in the
chapel of St Edward the Confessor, next to that of Edward III.
The tomb was made in 1396-9 by London masons Henry Yevele and
Stephen Lote, and coppersmiths Nicholas Broker and Godfrey Prest
cast the gilt bronze effigies. Richard and Anne were originally
depicted holding hands, but they have been broken off. The
effigies are stamped all over with patterns and Plantagenet
badges - the broompod, white hart and sun-burst on the king's
figure and knots, crowned initials A and R and chained ostriches
on Anne's effigy. Part of the inscription around the ledge of the
tomb can be translated: "tall in body, in his mind he was sage
as Homer - he laid low anyone who violated the royal prerogative"
and Anne is described as " beauteous in body and her face was
gentle and pretty". Both effigies are undoubtedly portraits and
the king wears a short wispy beard, as in his painted portrait.
Much of the decoration, including the beasts supporting the feet
and the jewels from Anne's dress, has now disappeared but Queen
Victoria ordered new cushions to be made to support their heads.
The wooden tester, or panel, above the effigies is by John Hardy
and four painted scenes in gilt gesso-work can still be made out.
The tomb was opened in 1871 and most of Anne's skeleton was
missing as bones had been extracted by visitors through a hole in
the side of the tomb. Dean Stanley arranged the bones neatly and
also put back some other items which had been left in the tomb in
1413. Anne of Bohemia's wooden funeral effigy head is displayed
in the Abbey Museum.
Richard II - A Procession from the Tower of London
Richard II was crowned in the Abbey in 1377. The day before his coronation Richard processed on horseback from the Tower of London to Westminster. The procession passed through London streets bustling with entertainers and decorated with bright banners and tapestries.
His was the first ever coronation procession, and thereafter monarchs (until Charles II) continued this tradition, sometimes resulting in huge celebratory pageants along the route.
Photographs of the portrait, tomb effigies and funeral effigy
can be obtained from the Abbey Library.
Further reading
Richard II by Nigel Saul (Yale University
Press, 1997).